FREE THE NIPPLE!! …Or don’t?

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The Free the Nipple campaign, according to their website, is “a film, an equality movement, and a mission to empower women across the world.” Their means of doing so? By protesting so-called “decency” laws that continue to oppress and outlaw topless women, even those who are breastfeeding, in 35 U.S. states.

These sorts of laws are not applicable to male nipples. Nor are those policies from social media sites like Facebook and Instagram, which are both notorious for taking down photos (as discussed in one of our previous Feminism and Women’s Bodies posts) and deleting entire accounts when users post “racy” photos of the female anatomy. Instagram calls this “mature content,” but, naturally, avoids mentioning mature content does not include male nipples.

According to the movement’s founder and film’s director, Lina Esco, Free the Nipple attempts to answer the question “Why is a woman’s nipple so controversial?”

Please read the following two articles for some opinions on this campaign/social movement…

Free the nipple campaign is not empowering to women 

Why Free the Nipple Isn’t About Fixing Tan Lines

The first article, by Tory Shepherd of the Australian Herald Sun, speaks against the Free the Nipple campaign, stating that, among other flaws, “it’s just not clear…how empowering it is for women to get their tits out, when in fact that’s what pervy blokes have been asking us to do for years.” Shepherd contests that there are other, better causes women ought to be involved in.

Do her points have some validity? Is she correct in saying that this movement gives into the desires of “pervy blokes” or, further, supports the patriarchy?

Ms. magazine’s James Hildebrand, in the second piece, is very pro-nipple, so to speak, and points out that other content that would seemingly fall under the realm of “mature” is acceptable on social media, like “public beheadings.” His argument is that movements like Free the Nipple and others rightly seek to end “a culture of sexual assault victim-blaming.”

How might Free the Nipple contribute to the end of rape culture?

Do you think female breasts are inherently sexual body parts? Why/why not? Are women’s bodies in their entirety inherently sexual? What about man boobs?! Do lines need to be drawn in terms of how people should appear in public, and should they apply to one gender and not the other(s)? Is this body shaming?

Don’t feel obligated to answer all of the above questions; I hope they do all get you thinking, though! (Seriously, what about man boobs?!)

Finally, do you think this is an issue of importance? Are there more consequential women’s issues to which Free the Nipple supporters and their resources should be devoted?

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If you’re still interested in this issue, take to Google and/or read this article (or the others I linked in the post) about censorship and androgynous individuals!

Fifty Shades of Southern Belles?

Throughout high school, I always bumped heads with this girl named Helen. Helen wore a lot of Lilly Pulitzer and most of her family lived in South Carolina. “I just love southern boys,” she  announced to our history class one day after returning from her cousin’s cotillion. “They always hold the door open for you. And they always say thank you.”

Helen was a self-proclaimed “Southern Belle” who insisted on “traditional dating” (this meant boys “making all the moves”). She planned on attending college in the South—this was extremely important as she was most likely going to meet her future husband there. Obviously this girl does not represent the South as a whole, but I couldn’t help but be surprised after reading this article: http://www.washingtonpost.com/blogs/wonkblog/wp/2015/02/09/people-in-the-south-are-really-into-fifty-shades-of-grey/.

More pre-sale tickets for “Fifty Shades of Grey” sold in the South than any other part of the country! Does this mean that the ideas expressed in “Fifty Shades”—submission, inegalitarian gender roles, and fairy tale romance—are ideas reflected in Southern attitudes towards women?

Something that’s fascinated me, especially since coming to GW, is how individuals are shaped by the region they’re from. Myself, for example. I speed walk everywhere without trying, I am easily frustrated by slow moving lines and tourists, I wear wool coats and own Bean boots. I’m so stereotypical and uptight—and I’m pretty sure it’s because I’m from Fairfield County, Connecticut, a region just forty-five minutes away from “The City”.

Clearly there are stereotypes about the South, too, as Helen proves. I’m sure she and her kin are easy-going, hospitable, sweet tea-drinkers (but obviously I understand that she doesn’t represent women from that region as a whole).

But in general, I feel that Southern women face more tropes than women from the Northeast. I feel as though Southern women are stereotyped as subservient, husband-doting “belles”—this article sums these stereotypes up pretty well http://www.huffingtonpost.com/sheryl-st-germain/southern-women-myths-stereotypes_b_4999992.html. Or just watch an episode of TLC’s “Say Yes to the Dress: Atlanta” (an interesting note: the show originally took place in NYC).

I wish the article was able to break down the percent of sales by gender—my guess is that more women than men bought tickets, but it would be extremely interesting if it were the opposite. Obviously, there has to be some sort of explanation why “Fifty Shades” ticket sales in the South are so high. From my perspective, this data proves that stereotypes about Southern women are more often than not true. Regionally and culturally speaking, the south must be more comfortable with the ideas that Fifty Shades represents than the North does.

Why are women in the South stereotyped so much more than women in the North? Perhaps it’s more tradition than stereotype? And if it is “Southern tradition”, is it still okay?

And, classmates from the South: do you identify or reject these stereotypes? And from your perspective, are there any stereotypes about women in the North that I may be missing?

In advertisement, are important figures more influential than super models?

In a world full of creative geniuses, in order to be successful at selling an idea or product one must reach to the target buyers in their Achilles’ heel. Please read the following articles What if all the major fashion brands ditched supermodels and hired super women instead? and ‘Super Women’ Replace Supermodels In Fashion Ads And The Results Are Epic.

Every day society is faced to advertisement. Even if an individual does not notice it, we are constantly exposed to ads that deliver the message of whether we can or cannot live with or without certain product. These advertisements picture the product very appealingly to the individual and he or she is then directly thrown into the desire of acquiring it. How do advertisements sell their idea? They hit on the buyers weak points. They present the product or idea using individuals with certain characteristics. These characteristics typically are traits any woman or men wished he or she had. By picturing the product with this “perfect individual” the public is attracted to the product.

Advertisers base their campaigns only on superficial traits that attract people. They use super models that are only known because of their flawless physical features. Buyers do not even know their names in most cases, unless it is a recognized super model. But again, to be a recognized super model you just have to fit into the perfect parameters society sets. What would happen if this advertisements substitute the super models with important figures? Would it be as effective? Or maybe even more effective?

Recently Céline, had one of the most influential writers in America, Joan Didion, pose for their sunglasses campaign. Given this, Elisa Rodriguez-Villa, was then attracted to Photoshop important woman figures in big name brands’ advertisements. About Joan Didion’s for a Cé campaign, she says “I’ve never even been able to afford a pair of socks by Céline, but all of the sudden they had my attention on so many levels”. She explains that the reason of her project is that when she recently skimming throught fashion magazines she was getting bored of seeing always the same: woman whom you did not even know their names but had the “perfect characteristics.” Rodriguez-Villa states that after seeing such an important figure, as Jian Didion, in the advertisement she was suddenly attracted to the product, an attraction she probably wouldn’t have felt if a super model was modeling it. Being this the situation, I ask you why do you think that advertisements use perfect super models to sell their products instead of actual important people whom have accomplished significant and influential things?

I would say that this is because people of such importance would be out of context posing and / or supporting these expensive brands. Take for example the photo-shopped image by Rodriguez-Villa of Malala Yousafzai with the Louis Viutton bags. Malala is an activist for female education that had lived through extreme poberty conditions and is fighting against sexism; why would she be posing besides these brands’ expensive bags? With the money needed to buy this product she could, and probably would, use it for another cause. So, do you believe if that by using important figures brands would rise their sells or people would just be confused by having to different poles in one image? Or the success of the campaign depends most likely on the product?

For more information about the Joan Didion Céline campaign visit Joan Didion Stars In Céline’s New Campaign.

Should ‘Slut’ Be Retired?

In this article, “Should ‘Slut’ Be Retired”, Leora Tanenbaum, author of  “I Am Not a Slut: Slut-Shaming in the Age of the Internet”, says that even though using the word slut to express yourself in a somewhat defiant way, reclaiming and accepting the word as a non-derogatory statement is “too dangerous”. She says that too many people see the women who are called sluts as a “shameful, disgusting woman who’s out of control sexually, and needs to be put in her place and deserves to have bad things happen to her, including being sexually assaulted”.

Tanenbaum says this term also has deep-rooted historical connotations when applied to women of color. The black woman was seen as “inherently slutty”, and, as Farah Tanis explains, that when applied to black woman, it comes with a reference from the days of slavery, when these women were items of property and were stereotyped to have an “insatiable” sexual appetite and that “Jezebel could never be raped”. Accepting “slut” would be accepting these racial connotations that come with it.

Rather than focusing on the word itself, we should go to the source of the problem. Criticizing how society views women and their sexuality on television and in movies is something that is creating this mindset of a hypocritical double standard from the “patriarchy”. Being prudish is looked down upon, more so today than in the past, but being sexual can earn you the title of a slut. This pressure isn’t just coming from men and boys, but women too. As Tanenbaum states in her book “I Am Not a Slut”, she describes the pressure women get from their peers and how hard it is to maintain a “good slut” status. “In some social circles, it is compulsory to achieve ‘good slut’ status. A girl must behave like a ‘good slut’ whether she wants to or not.” But “once a girl achieves ‘good slut’ status, she is always at risk of losing control and becoming known as a ‘bad slut’” who is ostracized and shamed.”

Many women have experienced being called a slut and it means many different things to many people, so how do you feel when it applies to you? Who do you feel is putting more emphasis on Do you think is it right to accept this term as an expression of sexuality?

Women in Sports

I want you to think about your favorite female athlete, if you even have one. Why do you like her so much? Is it because she’s pretty? Or because she’s amazing at her sport?

This article about the Canadian Women’s Hockey League is from March 2012, but is still extremely relevant in discussing the hardships that female athletes go through.

http://www.nytimes.com/2012/03/27/sports/hockey/canadian-womens-hockey-league-cwhl-fills-a-void.html?pagewanted=all&_r=0

There are some NHL players that make over $8 million per year, not including sponsorships and advertising. NHL teams take private jets to their away games and stay in 5 star hotels. But, some women in the CWHL have to pay for their own equipment and juggle being on a professional hockey team with a day job. They play hockey because they love it, not because they get paid millions of dollars. Many top notch female hockey players are forced into retirement during their prime because they need a full-time source of income and hockey is no longer feasible.

Noora Raty was a goalie for the University of Minnesota and played 139 games – she won 114 of them, including a perfect season in 2012-13. She played for Finland at the 2006 Olympics in Torino at age 16. After graduating from Minnesota, Raty was forced to retire from women’s hockey because she has to pay car loans and insurance and realized played in a league such as the CWHL was not viable. After announcing her retirement from women’s hockey, Raty was signed to a contract to play in the all male Finnish league.

This disparity is even evident here at GW. The men’s basketball team is having a good season, but the women’s team is nationally ranked and went on a 19 game winning streak. Only the men’s games have 4000+ people packed into the Smith Center, while for women’s games often barely have 1000 spectators in attendance. The women’s basketball team is surely to make the NCAA tournament next month, while the men are going to have to pick it up if they want to make it to March Madness. This leads me to the ultimate question – why don’t people care about women’s sports, even when the women have more skill?

A study done by Nicole Lavoi at the University of Minnesota shows that 40% of all athletes are women, but only 4% of female athletes are represented in the media. A study from 2009 done by Michael Messner and Cheryl Cooky showed that SportsCenter only spent 1.4% of its airtime coverage to women’s sports. These numbers are absolutely abysmal. If you think this is a problem, how can it be fixed?

How can coverage of women’s sports be increased, but without sexualization of these athletes? I distinctly remember watching the 2012 London Olympics and seeing Misty-May Treanor and Kerri Walsh-Jennings tear it up in women’s beach volleyball. They’re both amazing athletes, but I wonder if I was able to watch so many of their matches because they were wearing bikinis. The LFL, previously called the Lingerie Football League, is now rebranded as the Legends Football League. Before the rebranding, the athletes wore underwear & an athletic bra with lace and ribbons. Over the past year, the league has made a uniform change similar to what female volleyball players wear. Either way, this is a tackle football league – how is that uniform protecting players from injury? The teams have names such as the San Diego Seduction and the Los Angeles Temptation. I find it hard to believe that the LFL focuses on the strength and skill of these women and instead just uses sex appeal to increase their audience.

Why don’t people watch women’s sports? How can coverage be increased in such a way that doesn’t sexualize these women, but highlights their athleticism? Would integrated leagues be a viable option? How can you get people to care about women’s sports beyond the Olympics every two years? Is there a relationship between how little female athletes get paid and the previously mentioned coverage statistics? What are stereotypes you’ve heard about women in sports and how do you think it impacts watching habits? 

Links to studies:

http://tptmn.org/2013/11/26/the-statistics-behind-media-coverage-and-female-athletes/

http://dornsifecms.usc.edu/assets/sites/80/docs/tvsports.pdf

Further reading:

http://everydayfeminism.com/2014/05/women-in-sports-media/

The Patriarchy Strikes Back

menimist

Before I begin, special thanks to user Saeglopurs on the inspiration for this blog post.

To start everyone off, I would like to point you all to my favorite source of all things Beyoncé and cats, Buzzfeed. This article provides a relatively even-handed assessment on the issue we will be looking at today, meninism, or less commonly, menimism. Whichever you prefer. Yes, yes. I know. I can hear your eye rolls from here, they are that powerful. If you have not heard of the term, this Telegraph article provides a brief and fairly good, albeit slightly sarcastic, history of the movement here. Even if you are familiar with meninism, I suggest giving it a quick read-through.

Now that we have some background into the matter, let’s get started. George Gillett of the Huffington Post wrote an article in October of last year titled Lads, It’s Time for Some Meninism that offers a defense of a movement that has been seen as nothing but hateful. However, Gillett is not your everyday Twitter troll that we saw in the Buzzfeed article. Instead of shaming feminism, Gillett acknowledges the movement as wholly valid given the harmful gender stereotypes that misogyny perpetuates. But that is not the end of it. While women are most definitely harmed by gender roles, he asserts that men are harmed as well.

Gillett makes his case against the negative gender roles men are bound to in a number of areas: behavior, mental illness, emotions, financially, familial, body image, masculinity, LGBTQ, so on and so forth. He does admit that the concept of meninism might seem a little ridiculous considering how much women have historically suffered and continue to do so today. But he also makes a point to say that while feminism means equality for men and women alike, the concerns that the former might have about the effect society has on them are often left behind or disregarded by the modern day feminist movement.

Does meninism raise some valid concerns about the way that men are affected by our society, or is it flat-out wrong? Moreover, if you do consider them valid, will the feminist movement take these concerns under its wing despite reality suggesting otherwise?

Here are the links to the article in case the hyperlinks were missed above:

http://www.buzzfeed.com/rossalynwarren/men-are-calling-themselves-meninists-to-take-a-stand-against

http://www.telegraph.co.uk/men/thinking-man/11308455/Will-2015-be-the-year-of-meninism.html

http://www.huffingtonpost.co.uk/george-gillett/mens-issues_b_4568914.html

Gone Girl: Impressive Example of Female Intellect or Sexist Depiction of a Crazy Bitch?

The following may include spoilers to the film Gone Girl.

Prior to reading this blog post: please read the following article linked here: http://time.com/3472314/gone-girl-movie-book-feminist-misogynist/

Gone Girl, one of this past Autumn’s most popular films based om Gillian Flynn’s 2012 novel, sparked conversations scrutinizing Flynn for being anti-feminist. The film is based around the lives of a husband and his wife, who mysteriously disappears early in the movie. The wife, Amy, after being furious with her husband for cheating on him, formulates and enacts and elaborate plot to frame him for her rape and murder. In the article posted above, the author argues that this film and it’s depiction of the heroine, Amy, is both a “sexist portrayal of crazy women” and a “feminist manifesto.”

In a time when Hollywood has made immense strides in it’s depiction of female heroines from beautiful but brainless women to both beautiful and intelligent women, it could be argued that Amy is simply another addition to these new and more realistic heroines. However, critics argue that depicting women as “psychotic bitches” only enhances the widespread belief that women who are intelligent also must be crazy.

Personally, I didn’t come to that conclusion after watching this film. Amy is an extremely successful journalist and writer, and, prior to her actions of insanity, would be considered a model for young, intelligent, women. Unlike critics, I am less turned-off by her psychotic onset. Without giving any spoilers away, I would argue that her calculated and well-executed series of criminal fabrications do not make her just another “crazy bitch,” but rather an impressive and admirable villain.

In very few instances within popular culture–including movies, television shows, and literature–have the heroine (or female villain) been depicted as such an organized, intelligent, and deceptive individual. In the past, only male villains have held these characteristics. This “new” female villain is an immense stride in the battle of dismantling gender stereotypes in popular culture, and should not be belittled to a “sexist portrayal of a crazy women.”

160 Million and Counting―The Product of “Gendercide”

Please read the following New York Times op-ed entitled “160 Million and Counting,” by Ross Douthat from 2010.

In the opinion piece, Douthat reflects on an essay the economist Amartya Sen wrote in 1990 called, “More Than 100 Million Women Are Missing,” (I embedded the link so you can review it, if you would like). In his essay, Sen discussed the greatly skewed ratios of women to men in India, China, and other developing nations. To explain this, Sen analyzed poor standards of healthcare, nutrition, and education for women in comparison to men. He did mention the possibility of female infanticide in the case of China’s infamous one-child policy. Twenty years and 60 million more missing women later, Douthat points to gendercide, or the selective mass killing based on gender.

The leading way gendercide is conducted is through selective abortion; Mara Hvistendahl in her book, Unnatural Selection: Choosing Boys Over Girls, and the Consequences of a World Full of Men, argues that these missing women were never born, and instead, “were selected out of existence, by ultrasound technology and second-trimester abortion,” (Douthat, NY Times). Douthat raises several interesting points about why gendercide is happening. Firstly, he points out the obvious claim that gendercide is occurring because of the prominent patriarchy and misogyny prevalent in many Asian societies. More interestingly though, Douthat goes on to analyze that it is often women who are selecting based on sex; this is because in Asian societies it is preferable to have boys as they bring a higher social status. This frames one of the main takeaways of the article: the irony of a feminist institution (the right to have an abortion) being the tool of termination of millions of girls based on their sex. 

Furthermore, Asian countries that made abortions legal were championed by the US and organizations like the International Planned Parenthood Federation. I would imagine that philanthropic organizations that supported these Asian countries could have never imagined what it would be used for, while anti-population campaigners (like foreign governments) probably saw the prospect of less women as a bonus to control population even more. With that being said, why is this twisted irony so relevant to feminism and women’s bodies?

In countries like China and India, the increasing empowerment of women is leading them to selectively abort female fetuses based on the fact that they are a girl. Essentially, feminism is a factor in why gendercide occurs in these societies. More feminist beliefs, like the right to have an abortion and the choice women have over their body, has led to women embracing their culture’s affinity for boys by aborting many more female offspring in favor of male offspring.

Additionally, Douthat highlights how there does not seem to be any (legal) crime committed or an enforceable opposition to gendercide in the form of sex selection. It is an especially difficult topic for many progressives because it tests their beliefs on choice and the definition of life after being born. How can one who shares these beliefs be opposed to women having abortions based on gender because they are technically not life, according to their own definition? I will tell you how: moral ethics based on the belief that both sexes are equal and therefore should be aborted or brought to term on an equal footing. Any form of bias based on gender is wrong and that includes the prospect of a girl never being born because of her female gender.

Douthat leaves the readers with a chilling and scathing conclusion:

“The tragedy of the world’s 160 million missing girls isn’t that they’re “missing.” The tragedy is that they’re dead.”

With all that being said, do you agree with my claim that feminism is a factor in why there is gendercide in countries like China and Asia? Why or why not? If not, do you find any irony in the ways gendercide is taking place? Furthermore, can progressives and feminists reconcile their beliefs on abortion and the definition of life with selective abortion based on sex?

Is this topic so depressing or upsetting that you want to cry? If so, comment about that, the above questions, or anything relating to the topic!

Women in Advertisements

This post will be based off of Jennifer Pozner’s interview of Jean Kilbourne, first run here: http://www.salon.com/2001/01/30/kilbourne/

Jean Kilbourne, advertisement critic, gave an interview to Jennifer Pozner for her piece “You’re Soaking in It” in which she sets out to prove that advertising has a profoundly negative impact on society, particularly in regard to women, through subconscious and harmful messages that the advertisers send.  Kilbourne targets an audience of women, particularly Mothers Who Think, the readers of Salon.com where the interview initially ran. She hopes that, by the end, the women are riled up enough by her argument to push for change.

One of the first claims Kilbourne makes is that, once advertisers focused on women, they co-opted feminism and the women’s movement, significantly minimizing the accomplishments of the female gender. She makes the point that advertisers were not above using a “trivializing slogan” such as “’You’ve come a long way, baby’” or “’Find your voice’” to sell cigarettes, though she uses hyperbolic, inflammatory language by saying that these ads were leading to the “enslavement” of women by equating it to women’s “liberation.” It seems like a bit of a jump, but perhaps she has a point. However, is the feminist movement something that advertisers cannot appropriate? Do they have less of a right to its exploitation than anyone else? She preaches about “endless ads that turned the women’s movement into the quest for a women’s product,” for the support of which she only offers a rhetorical question suggesting that advertisements create problems for the product to solve. But the question only states, “Was there ever such a thing as static cling before there were fabric softeners and sprays?” This does not speak to advertisements at all, really. It simply addresses the fact that products that have entered the market because a need was found and filled, then assumes that this is inherently negative because the product was essentially targeted toward a female buyer.

She also claims advertising exploits the need for interpersonal relationships, what she labels “’relationship marketing.’” Though this is a human need, she suggests that advertisements and society at large associate this need with women – apparently men don’t need other people. She goes on to argue that advertisements send the distinct message that relationships, particularly if you are a woman, are unreliable. For this claim, she discusses how ads show a man’s reluctance to make a commitment and reinforces violent behavior. She throws around strong diction such as words like “callousness” and “reluctantly” when speaking of how ads portray a man’s unwillingness to establish a relationship and makes the alarming statement that these ads “normalize the abnormal.” Much of her argument relies on a female reader’s indignation, tugging at her fears about men, which she conveniently blames on advertising rather than the history of male-female relationships. Married women with families especially, as the target audience for this piece, do not want to hear that their husbands, as men, are being told it is perfectly acceptable to be cold and not commit to the relationship. She uses the same tactics here that she claims the advertisements are – targeting women’s insecurities about their relationships by saying that it is encouraged by society in a subconscious way.

Moving to the assertion that advertisements say, essentially, the product makes the person, Kilbourne makes more sweeping generalizations. She says that advertisements tell the public that only attractive people are loved, but how do they tell us this? Because attractive people are used in advertisements? She asserts that overweight people are poorer and less likely to be hired, but where did this information come from? Is it really accurate? Especially nowadays, it seems less relevant in light of campaigns that celebrate diverse forms and body shapes including Dove’s real beauty campaign or the #EffYourBeautyStandards movement started by plus-size model Tess Holliday.

In an effort to provoke the audience, Kilbourne asserts that advertisers and corporations suggest that turning off the television or simple, honest conversations are enough to shield children from an advertisement parents deem harmful. Kilbourne takes the opportunity to maybe exaggerate through the use of a metaphor, comparing advertisements to toxic air that children are forced to breathe in and cannot avoid. She uses this last ploy to assert to these mothers that their children are being constantly harmed and the only viable solution is to turn against advertising, which is a reflection of our “toxic cultural environment.” She is trying to exploit a mother’s need to protect her child, another advertising tactic, according to Jib Fowles, who defined the fifteen appeals that advertisements use to target their consumers (link below). Is her assertion that this power advertisements have over us is not one we can overcome correct? Bringing up her daughter and her maternal fears, which address Fowles’s need to nurture, has an effective sway over the audience, which is one of mothers. Is she, in your opinion, correct to worry about her daughter growing up in such an environment? If so, do you have any advice for her, seeing as you have already gone through the stage her daughter is in already?

Kilbourne incorporates into her argument the fundamental needs of human beings that advertisements utilize and she herself is not above exploiting, despite her criticism of advertising. These needs include, but are not limited to, the need for affiliation, as Fowles calls it, or the need to love and be loved, as Kilbourne dubs it. How can she rail against the use of methods she uses as well?

While I agree on the importance of discussing women in advertising, I disagree with Kilbourne’s method of argument. At this point in time, seeing as this article was published in 2001, is Kilbourne’s argument still relevant and her conclusion still accurate, or must we reevaluate?

Jib Fowles and the 15 Appeals: http://producer.csi.edu/cdraney/archive-courses/spring05/cld_102_spring05/e-texts/15-basic-appeals.pdf

The Writers Behind the Romance

Please read this link first: http://therumpus.net/2014/07/writing-romance-fiction-is-a-feminist-act/

In this article it is said that, “It’s [feminism] about having what you want and being honest about who you are. It’s about respecting who you are and what you do.” This is a definition that would be welcomed by some, and cause outrage in others.

Impressions; we all have impressions, stereotypes, and beliefs about those that we interact with on a daily basis, and those that we hear about by proxy. Take a second to think about your own impressions about the people who would be enrolled in a “Feminism and Women’s Bodies” class. Did you think that these would be people who could not get into any other class, people who were extremist man haters, or people that you could see yourself being friends with? Did you anticipate that the class would be all women, or that you would be the only man in the class? Now let’s turn to the media. Think about the romance genre and your impressions of it, barring this class. Many people see romance novels as a guilty pleasure, and that these are airport books best left on the plane. My personal bias used to be that these were tawdry, bodice rippers that would not be described as books of “intellectual merit,” or in other words, not good example books for your English Literature AP essays.

Let’s now switch to talking about media portrayals of our topic. How are romance novels portrayed in the media? Or a more specific question, do we remember the hullabaloo made when Fifty Shades of Grey by E. L. James hit the shelves, and then the NY Times Best Seller List, (considering the backlash of people, I probably would have used a pseudonym as well), or consider the authors of more recently mainstreamed fanfiction genre? I personally think of the main character (a romance novelist) from an 80s movie called “Romancing the Stone,” (I will link the trailer and imdb page below). This movie depicts Joan Wilder, a very successful romance novelist with a cat and a sparse social calendar. After reading this article, it was clear that the author had gone in with some preconceived notions, namely the expectation of finding “breathy-voiced women with long nails talking about fine young stallions looking to sweep willing young women off their feet.” Bringing this back to a larger topic, we all have the same expectations about feminism and how it is displayed. I reference Roxanne Gay’s Bad Feminist here to ask the question that this blog post is all about: what are the criteria, if any, for making a romance novel be feminist?

Now please read this article before you post (yeah, I’m not sure if I’m allowed to make you guys read two but I’m going for it): http://www.theatlantic.com/sexes/archive/2013/03/beyond-bodice-rippers-how-romance-novels-came-to-embrace-feminism/274094/#.UUcdBP_VBb0.twitter

For fun (and satire) here is a buzzfeed quiz to see if you are termed a “bad feminist”:

http://www.buzzfeed.com/catesevilla/are-you-a-bad-feminist#.jqRapvpYa

I personally checked off 25 out of 56 on the list, and Buzzfeed labeled me a “borderline acceptable feminist — or, as some would say, “problematic.””

Romancing The Stone trailer: https://www.youtube.com/watch?v=WokoWHHAxp4

IMDB: http://www.imdb.com/title/tt0088011/